Wavmonopoly Reverb Calculator (2024)

FAQs

What is the decay time for vocal reverb? ›

Decay. Decay is the time (in seconds) required for the reflections (reverberation) to die away. In most modern music production, reverb decay times of between one and three seconds are prevalent.

For a BPM of 100, the results might look something like this: DURATION OF DELAY / REVERB: 75.00 ms for Hall (2 Bars), 37.50 ms for Large Room (1 Bar), and so on. PRE-DELAY: Values ranging from 75.00 ms for Hall to 2.34 ms for Sixteenth Note (1/16 Note).

Although you might want some reverb for a sense of space, too much can muddy the waters. Consider a short and tight reverb to maintain energy and clarity. Ballads: For ballads, a lush and long reverb can accentuate the emotional impact of the vocals.

Abbey Road engineers initially thought 600 Hz and 10 kHz was a good starting point, but you can decide for yourself what sounds best for your mix. You'll find that the low end that caused all the muddiness is gone right away. For vocal reverb, you can even come down to around 7 kHz, or even lower if you'd like.

ValhallaRoom is the most popular Valhalla reverb for classical applications and virtual orchestral instruments. The Depth slider in Room is useful for setting up an early reflection / late reverb balance.

Valhalla Vintage Verb is a plugin with the sounds of various late 1970s and 1980s digital reverberators, including ones which sound like Lexicon and EMT reverbs. This plugin has been used song such as Hello and Water Under the Bridge by Adele, as well as on Lana Del Rey's album "Lust for Life".

I will typically set a reverb pre-delay time between 100 and 166 based on the tempo of the song. This type of music requires that the vocals are up front but also have space.

Depends on what you want to do. If you want to apply delay effect on the reverb for a swirling ambient effect then put the reverb first. If you want to make your guitar sound big then a pretty common trick to do so is to put the delay before the reverb.

Good starting point would be somewhere around 60-100 HZ. Tweak it till it sounds right for your sound. Sub frequencies should stay dry and unaffected, without any overlapping from the reverb.

What BPM is 100 bad days? ›

Composition. common time in the key of B-flat major, with a tempo of 144 beats per minute (bpm).

Thus, a tempo of 120 bpm means that 120 beats transpire in one minute, so the beat interval (that is, the time interval between beats) is 60 seconds/minute divided by 120 beats/minute, which is 0.5 seconds/beat.

Tempo is measured by beats per minute (or BPM), so a moderato tempo (moderate pace) is measured as 80-100 beats per minute. Every tempo marking has a relative range that it fits with, so some moderato tempi may be faster or slower than others.

Simply put, the Sabine Formula is T=0.049(V/A) where T = reverberation time or time required (for sound to decay 60 dB after source has stopped) in seconds. V = Volume of room in cubic feet. A = Total area of absorption in sabins.

Create a stable sound field using a sound source. Start a sound measurement instrument, such as a sound level meter. Switch off the sound source and allow the sound to decay. Wait for the background sound to stabilise and stop the measurement (avoiding creating any noise that may disturb the measurement data)

Vibrato rate (or frequency) refers to the number of oscillations per second and is calculated as 1/period (and expressed in hertz, Hz; for reference, 1 Hz = 1 cycle per second).